Sunday, October 19, 2008

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breathing in the martial arts

Anyone who is ever closer to disciplines such as singing, yoga and martial arts will be known for at least the very basic fundamentals, the importance of proper breathing achieve good results.

Breathing is the main activity of every human being, the first being done at birth and more fundamental to the continued life of every individual.

In the practice of 'Aikido proper breathing is the foundation of all physical activity, and it avoids a number of problems (wheezing and breathlessness, nausea and even fear of some forms of loss) that may emerge once reached a certain level of practice.

Even when we sit in seiza before and after each lesson Aikido , our only task should be to focus on the depth of our breathing, preferably with eyes closed, let us not let our mind is "lean" on the outside sounds, the pain of the ankles or knees, the thought of what awaits us after class. Of course these thoughts are there, but let us slide on the mind, not sunk in but they let it move freely behind each of the next moment ... If we really want to see something, we can, as explained by Master Tada, see what you did during the lesson, perhaps imagining in "third person", and notes with my mind's eye from various angles as we take perform a movement or a technique.

Sounds complicated? we are venturing into fields too "mental"? There is nothing to worry about, with time this will be born in a very natural and almost spontaneous. Important for now is figuring out how to "use" in the best way the air that surrounds us.

When we sit in front of the teacher in seiza practice what is called in Japanese kokyu [
cochiù ] or deep breathing or diaphragmatic .

Master
Koichi Tohei has worked hard to teach the use of breathing aimed at what he describes as "mind-body unification" or a perfect coordination of movements from a state of unshakable concentration. I copy below an interesting article found in the sea cliffs of the web without translating from English:

"Master Tohei
shows the right way to practice meditation in ' Aikido .
All babies use their abdomen or diaphragm for breathing during the first three months of life, moving thoracic breathing automatically as they grow. No one seems able to understand the cause and the reasons for this step. But practitioners of Aikido
, Zen and Yoga believe that the diaphragmatic breathing is the proper way in which man should breathe.
Breathing "deep" or "controlled" should not be confused with meditation. The practice of deep breathing, which is getting much attention in the United States, is not new. The singers practice for years. The exercise begins very slowly exhale through your mouth. Do not exhale as if you inflate a balloon, but rather as if you'd like to clear, cleanse the throat. The breathing is done through the nose slowly. The air flow is through the nose and across his throat. You should feel a slight tension in your throat as if the air will be sucked into it. There is a slight pause of two or three seconds after each inhalation and exhalation. If you are a beginner mentally counted up to 8 inhaling and exhaling, then gradually progressed to
can count to 12, 15 and so on. At first fifteen minutes a day of practice is more than enough. Then, as soon as you get used to a bit ' to this method of breathing, you can gradually increase the time to practice these exercises. The best way is to practice sitting, but also you can practice quietly lying down or standing. Whatever posture you choose, remember to keep your back straight, practicing the right way, you will notice that a move is only the abdomen. Start your practice slowly exhale through the mouth. Keep your back straight and focus the mind on one point. "

The teacher continues to practice advising
kokyu group inhaling and exhaling with the others, to the rhythm, and it invites us not breathe too aggressive but quietly, gently.

I end this posting (about a topic that sooner or later we will return) by publishing a drawing that shows the path that the air should do during the
kokyu in seiza , and wish you as always good practice!

Thursday, September 25, 2008

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words of the founder

The following is a translation of six paragraphs taken from the training manual in 1938, Budo, the founder of Aikido, Morihei Ueshiba . I heard about this book, the second of only two manuscripts founder of which were published thanks to Morihiro Saito Sensei, in 1993. Since then, I traveled with Master Morihiro SAITO on numerous occasions throughout Japan and abroad, both as a personal assistant (Otomo) and as translator. Each time, the Master was carrying a copy of the original Budo. That was during a workshop, or during a daily training dojo in Iwama, Saito Sensei would often refer to these six paragraphs. [...]

If you can give pleasure, you can freely use this work for your personal web pages or your dojo. If even one person benefits from this project, then the time and effort invested will not be served to all.

Best wishes for your workouts,

Mark L. Larson Iwama, Japan - March 19, 2001

1. Aikido can decide between life and death in the space of a breath as a result, during training, follow the teacher's instructions and do not engage yourself in competitions of strength.

2. Aikido is a Way that makes a person the equivalent of thousands, then, during training, always be aware not only of the space in front of you, but also about what happens in all directions.

3. Training should always be a pleasant experience.

4. A teacher can only transmit a part of teaching. To be able to use a technique, you learn it through training and applied relentless. Only then will you begin to hold the body. E 'useless will learn many techniques. To master a technique, you have to assimilate.

5. The daily training begins with Tai no Henke. Gradually increase the intensity of your workout. Be sure not to exceed the capacity of your body. Even older people should not get hurt. Work out with pleasure and try to understand the purpose of training.

6. Aikido is a training of mind and body. Its purpose is to train people of good faith. Since all techniques are entirely secret, you should not reveal them indiscriminately to all. You should avoid the inappropriate application of any technique, by people ill-intentioned.

Thursday, September 18, 2008

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sabaki

Sabaki in Japanese mean "movement, movement" and therefore set out the various ways in which a practitioner of martial arts moves on the mat (which, if you have not yet learned what it is, is that generally materrassino green is on the ground to cushion the fall).

however, is the fundamental difference between the shift takes place to get close to someone, perhaps for balance, and movement that takes place to "rotate" on its axis, to avoid a crash or to execute a lever joint. But it does not digress into long words, and we go step by step.

The first fundamental difference, the vast displacement group, is one of the Sabaki ASHI (literally: " footwork ") and Tai Sabaki (body movement ).

The steps are then ashi sabaki with which we move, remaining in the guard position (thus trying to keep your back straight and looking ahead to a distant point), consider now three basic types:

ASHI Sabaki:

I type: Okuri Ashi.

In this step, the foot that lies ahead is "stretched" in front of us, being followed by the foot that is behind.

Type II: Tsuki Ashi.

In this step, the foot that is behind "advances" towards the foot that is forward until you touch it (the Master Tada during Kinorenma of La Spezia in 2007, said this movement by comparing it to "a traveler that takes a connection between two trains), after which the foot is on you "stretch" to find himself in position to guard (kamae).


III Type: Ayumi Ashi.

In this third type of step, the foot that is behind only "forward" to overcome the foot is in front. This type of movement needed for those who had to maneuver halberds, spears or heavy weapons, and should therefore have an excellent support on which to rotate.


Wednesday, September 17, 2008

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Ashi Tai Sabaki

sabaki I tai, unlike ashi sabaki not serve simply to advance or back to our main partner / adversary, but allow us to create a circular motion can avoid the blows or unbalance the companion of practice. There are many types of tai sabaki, with many variations, and now we start to see fundamental shifts.

Tai Sabaki:

KAITEN : kaiten The movement consists of a simple change of position (which allows you to turn away 180 degrees) made to stand on the spot and turning on its vertical axis. It 's very important in the execution of this simple shift not lift your toes but beads, using as a base of the feet during this movement, the area that could be called the "root" of the big .


IRIM : irimi The entrance is actually a step closer. It 'very useful to get into the center of our opponent and from there to neutralize an attack, unbalanced or simply to avoid a devastating blow otherwise. It 's very complete formula used in Irimia Tenkan.


tenkan : tenkan The move is a shift in its center, the foot that is out stays still, and lifting the heel acts as a pivot on which the body will turn. The foot that is behind moves quickly past the "pivot foot" but on the side opposite to the movement of irimi.


USHIRO tenkan : The ushiro tenkan (tenkan backwards) is a very effective move that allows us to divert the thrust of the frontal and side attacks. Is to move the foot at the rear side (not forward as nell'irimi then) and, pivoting on that foot, then run up to a tenkan is 45 ° from the initial position.


If something is still not well understood, do not hesitate to intervene here or on the forum to ask questions that we will be happy to give you but remember one thing: explained in words that may seem difficult to understand with a minimum of effort and, above all, by constant practice soon becomes a joyous conquest ...

Monday, June 9, 2008

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Verses Nakamura Tempu

Oath today
Without anger, fear, pain
With honesty, kindness, pleasure
With strength, courage and faith
now fulfill my duties to my life.
Never lose peace and love
And I'll live like a real human being.
All this I swear to myself today.

Verses of Pranayama
in the energy of this great universe, which is inscrutable and divine
There is a force that gives strength to the energy of human beings.
It resides everywhere and every place filled. With a method that mysterious
Pranayama
With deep gratitude from the depths since the end of the four limbs,
welcome this force until we are more than satisfied.

direction of force
I am the force. A crystal of the force.
So nothing can defeat me.
disease, fate and all the rest
The force dominates.
's so! A crystal of the mighty powerful force.

The true self
From the beginning the reality of my true self is an entity
eternal and immortal
that neither water nor fire can crack.
If this man is true and unwavering faith
The sufferings of the flesh and men's violence
vanish like dreams and illusions
It will open the kingdom of grace.


Nakamura Tenpu
(translation by Asuka Ozumi)